We have all had the experience of listening
to a piece of music that really stirs our hearts and minds. The music
literally brings tears to our eyes and joy to our hearts. There is a
reason for this that goes back through time to an earlier musical scale
now referred to as the “Solfeggio Frequencies“. This is
a six note scale that bears some resemblance to our modern seven note
musical scale. When related to music, ‘Solfeggio’ is referred to as the
“ability to sight read music and sing the notes accurately (pitch wise)
without the use of a musical instrument’.
The solfeggio frequencies are reputed to be the original frequencies used by the Gregorian Monks when they chanted. The chant, based on the six notes, penetrates deep into the conscious and subconscious mind, drawing forth emotional reactions which we are sometimes unable to completely control. Dr. Candice Pert, PhD, reinforces this observation stating, “Energy and vibration go all the way to the molecular level. We have 70 different receptors on the molecules and when vibration and frequency reaches that far they begin to vibrate”. These original frequencies appear to have been ‘lost’ over the centuries but have recently been rediscovered.
RE Song (417 Hz): Helps undo situations and facilitate change.
David Hulse DD, states:Professor Willi Apel, wrote “The orgin of what is now called Solfeggio…arose from a Medieval hymn to John the Baptist which has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher that the first syllable of the line that preceded it. By degrees these syllables became associated and identified with their respective notes and as each syllable ended in a vowel, they were found to be peculiarly adapted for vocal use. Hence “Ut” was artificially replaced by “Do.” Guido of Arezzo was the first to adopt them in the 11th century, and Le Marie, a French musician of the 17th century added “Si” for the seventh note of the scale, in order to complete the series.”The solfeggio scale was ‘rediscovered’ by Dr Joseph Barber who claimed to have been guided intuitively to find a pattern of six repeating codes in the Book of Numbers. He found in Chapter 7, verses 12 through 83, number references that, when deciphered using a numerological technique, could be reduced to a single digit. This revealed a series of six electromagnetic sound frequencies which he determined to be the six missing tones of the ancient Solfeggio scale.
The notes in the scale are:
- “UT” – which cycles at 396 Hz (aids in the liberation of fear and guilt)
- “RE” – which cycles at 417 Hz (helps facilitates change and undo situations)
- “MI” – which cycles at 528 Hz (aids in transformation and miracles like *DNA repair)
- “FA” – which cycles at 639 Hz (helps you to connect/ aids in relationships)
- “SOL” – which cycles at 741 Hz (it awakens intuition)
- “LA” – which cycles at 852 Hz (helps you to return to spiritual order)
Even among ancient cultures, the power of sound waves was believed to have an effect on the human body. Shaman used chanting and drumming to focus their spiritual, mental and physical energies. In short, they created and used sacred music to heal. Modern man, until recently, had forgotten about the power of sound, that is until Drs Barber, Horowitz and Puleo ‘rediscovered’ it. Along with this discovery, additional research conducted by Dr Horowitz claims to have uncovered three more solfeggio frequencies.
- 174 Hz
- 285 Hz
- 963 Hz
Most everyone is familiar with the Star of David which uses two triangles inverted to each other. If one uses the same approach for three triangles overlapping (no inversions) and space them equidistance apart, some amazing relationships appear. Orient one triangle with one of its points at zero degrees or North. Label it 396 Hz. Label the next clockwise point 417 Hz, the next 528 Hz and so on until you have used all six frequencies. To complete the labelling, three additional numbers are required. However, the original six have a pattern. Any number connected by a line, for example 396 and 639 have a pattern. Notice that if you take 396 and move the 6 from the end of the number to the begging, you get 639. If you do this again, 639 becomes 963. Place that number on the triangle to complete it. Then move to the next triangle and apply the same procedure and you get the last two frequencies of 174 and 285.
SYNCHRONISTIC NATURE OF THE NUMBERS (FREQUENCIES)
Inversions:Choose a number from the diagram above. Take the last digit of the number and move it to the front to get the next number in it’s triangle…… 396, 639, 963 174, 417, 741 285, 528, 852…..and you get all of the Tones.
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Now, let’s take another look at these numbers (frequencies)…
USING THE INVERSIONS:
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963
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639
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396
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852
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528
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285
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741
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417
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174
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Notice that the difference between each pair in the vertical rows is 111
(963 – 852 = 111 and 852 – 741 = 111) (639 – 528 = 111 and 528 – 417 = 111) (396 – 285 = 111 and 285 – 174 = 111)
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Now, find the differences in the horizontal rows (notice the inversions again)
(963 – 639 = 324 and 639 – 396 = 243) (852 – 528 = 324 and 528 – 285 = 243) ( 741 – 417 = 324 and 417 – 174 = 243)
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But that isn’t all! Take a look at this….
The Pythagorean Skien Defined
Pythagorus invented a skien, a way of reducing numbers to their root. For example, 528 using the skien equates to 5+2+8 which equals 15 or 1+5 which equals 6. If you apply this method to all of the frequencies you always get either a 3, 6 or 9! Incredible!
The 3, 6, and 9
As we look at the six original Solfeggio frequencies, using the Pythagorean method, we find the base or root vibrational numbers are 3,6, & 9. Nicola Tesla tells us, and I quote: “If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.” It seems that Tesla knew something that the average person didn’t and that certain thing was very powerful indeed!
John Keely, an expert in electromagnetic technologies, wrote that the vibrations of “thirds, sixths, and ninths, were extraordinarily powerful.” In fact, he proved the “vibratory antagonistic thirds was thousands of times more forceful in separating hydrogen from oxygen in water than heat.” In his “Formula of Aqueous Disintegration” he wrote that, “molecular dissociation or disintegration of both simple and compound elements, whether gaseous or solid, a stream of vibratory antagonistic thirds, sixths, or ninths, on their chord mass will compel progressive subdivisions. In the disintegration of water the instrument is set on thirds, sixths, and ninths, to get the best effects.”
In his newest book, Just Six Numbers, Rees argues that six numbers underlie the fundamental physical properties of the universe, and that each is the precise value needed to permit life to flourish. In laying out this premise, he joins a long, intellectually daring line of cosmologists and astrophysicists (not to mention philosophers, theologians, and logicians) stretching all the way back to Galileo, who presume to ask: Why are we here? As Rees puts it, “These six numbers constitute a recipe for the universe.” He adds that if any one of the numbers were different “even to the tiniest degree, there would be no stars, no complex elements, no life.” (From Discovery Magazine). As some authors have speculated, could these tones have played a role in the miraculous shattering of Jericho’s great wall in six days before falling on the seventh day? Some scientists are now stating that if we have been created, we most likely would have been sung into existence. Is it possible that the six days of creation mentioned in Genesis represent six fundamental frequencies that underlie the universe? Religious scholars believe both events occurred as a result of sounds being spoken or played.
Other scientists, including the geniuses Nikola Tesla, Raymond Rife, as well as Mozart, Haydn, Beethoven, and Chladni, all must have known about, and used the concept of, the inherent power of threes, sixes, and nines. So we are dealing with three powerful numbers: 3-6-9.
You can read a lot more about Pythagorus and his skien or the Tones on the internet.
WHY DID I GET INVOLVED WITH SOLFEGGIO FREQUENCIES?
I am a musician. I woke up
to many hidden truths in the early months of 2012. I won’t go into
those details here (see my blog for answers if you are curious). In
December of 2012 I asked a close friend, who channels, to please ask
someone of importance a question for me. That question was “what should
I focus on in my life, given that I know what I know and have learned
of the truths etc.” The answer that I was given was given by
Father/God. He stated that I should investigate the Solfeggio Tones.
Learn about them, create music utilizing them. In subsequent
channellings I have been given the same information. Arch Angel Michael
told me to focus on the tones and to upload my songs (incorporating the
tones) onto my blog. This is what I am in the process of doing now.
I have researched the tones
thoroughly and I can tell you that there is definitely something very
special about them. They are healing tones, but they were also used in
combinations to create and to destroy. So, please be careful to make
sure you know what they are capable of before combining them on your
own. For now, I offer here a short song which incorporates one of the
tones per song, six in all.
When listening to the song,
relax, close your eyes, focus on the tone that runs through the song.
Listen on headphones for the best effects. Listen once a day. I have
also learned that the more analog the sound is the more perfect or more
healing it is. Therefore, I recommend you you listen to the .wav files
and not convert them to .mp3, unless it is impossible for you to do
otherwise. The mp3 files will be effective, but will be less effective
than a less compressed, less digitized version. Please click on
the buy now button if you are interested in purchasing UT Song. To
listen to a short sample of UT Song can be found at the top right of
this blog.
SONGS
FOR THE OTHER TONES ARE CURRENTLY UNDER CONSTRUCTION BY ME, THE
CREATOR. I WILL HAVE THEM UPLOADED AND READY FOR DOWNLOAD VERY SOON.
THANK YOU ~ Slider1313
A Little More on the Tones…
Below you will find a grid of the most common solfeggio skein most
recently brought to public attention by G.W. Hardin, a renown researcher
& author who has made tremendous strides in the field of study for
the Solfeggio system. The grid below is arranged vertically into
scales, and horizontally by root tone. The mathematics behind the tones
and scales are definitely worth researching since we are only covering a
very broad overview of solfeggio tones. The first grid below is known
as the Feminine grid, while the second grid is known as the Masculine
grid.The Solfeggio Skein
| Frequency Name | Angelic Scale | The 2nd Scale | The 3rd Scale | The 4th Scale | Universal Scale | The 6th Scale | Earthly Scale | Divine Scale | Natural Scale | ||
| Karmic Freqs | 111 | 123 | 135 | 147 | 159 | 162 | 174 | 186 | 198 | ||
| Remembering | 222 | 234 | 246 | 258 | 261 | 273 | 285 | 297 | 219 | ||
| Opening | 333 | 345 | 357 | 369 | 372 | 384 | 396 | 318 | 321 | ||
| Change | 444 | 456 | 468 | 471 | 483 | 495 | 417 | 429 | 432 | ||
| DNA related | 555 | 567 | 579 | 582 | 594 | 516 | 528 | 531 | 543 | ||
| Connection | 666 | 678 | 681 | 693 | 615 | 627 | 639 | 642 | 654 | ||
| Awareness | 777 | 789 | 792 | 714 | 726 | 738 | 741 | 753 | 765 | ||
| Spiritual Journey | 888 | 891 | 813 | 825 | 837 | 849 | 852 | 864 | 876 | ||
| Unity | 999 | 912 | 924 | 936 | 948 | 951 | 963 | 975 | 987 |
The Masculine/Metatron Solfeggio Skein
| Subset Name | Angelic Scale | The 2nd Scale | The 3rd Scale | The 4th Scale | Universal Scale | The 6th Scale | Earthly Scale | Divine Scale | Natural Scale | ||
| Karmic Freqs | 111 | 123 | 135 | 147 | 159 | 162 | 174 | 186 | 198 | ||
| Remembering | 222 | 234 | 246 | 258 | 261 | 273 | 285 | 297 | 219 | ||
| Change | 444 | 456 | 468 | 471 | 483 | 495 | 417 | 429 | 432 | ||
| Connection | 666 | 678 | 681 | 693 | 615 | 627 | 639 | 642 | 654 | ||
| Unity | 999 | 912 | 924 | 936 | 948 | 951 | 963 | 975 | 987 | ||
| Fractal Tone | 1011 | 1023 | 1035 | 1047 | 1059 | 1062 | 1074 | 1086 | 1098 | ||
| Harmonic Tone | 1455 | 1428 | 1482 | 1455 | 1428 | 1482 | 1455 | 1428 | 1482 |
What makes a solfeggio scale?
The definition of a Solfeggio Scale is as follows:1) All of the tones in sequential order must be 111 hz apart using Pythagorean skein.
2) Each scale must be 12 hz. apart from its adjoining scale using Pythagorean skein.
3) Adding any two or more frequencies will always yield another solfeggio frequency.
4) The sum of the scale frequencies will always add up to 999 hz. (Pythagorean skein).
5) The horizontal sum of all frequencies across all scales always adds up to 999 hz
